Nuts.”Ĭoncept albums were in vogue in 1967, mostly thanks to Sgt. And of course, Snoop debuts his new music on a foul-mouthed radio station, WBALLS at 187.4 on your FM dial, with comedian Ricky Harris playing the role of “DJ Saul T.
TRIBUTE ALBUM FLOW BAND FULL
Like other early Death Row releases, Snoop Dogg’s debut solo album – which some influential observers believe is even better than The Chronic – is full of lewd skits: Snoop in the bathtub with a woman, a spoken cameo from radio skit godfather George Clinton, the sound of a guy taking a piss. Duck Rock songs were punctuated by clips of the Supreme Team’s Divine The Mastermind and Just Allah The Superstar on the air on WHBI 105.9 FM New York “Double Dutch” in particular still sounds great. London boutique owner Malcolm McLaren parlayed his fame as the Sex Pistols manager into a brief musical career, and on his first album he teamed up with synth pop producer Trevor Horn and the American hip hop DJ duo The World’s Famous Supreme Team for an early glimpse into/appropriation of hip hop culture, record scratching, and breakbeats. And with a fleet 22-minute running time and crisp tracks by Kenny Beats and Hagler, the often heady and morbid Staples has never sounded more at ease than when conjuring FM!’s boombox-at-the-beach atmosphere. radio icon Big Boy, going so far as to draft Tyga and Earl Sweatshirt to contribute brief snippets of songs heard in passing in the station’s rotation. Vince Staples is Odd Future-adjacent, and–perhaps with a nod to his Long Beach predecessor Snoop’s Doggystyle skits–he filled his third album with radio interludes from L.A. The Odd Future collective has never chased radio hits, so it’s interesting that radio-themed interludes have been a recurring feature on albums by members like Frank Ocean ( Channel Orange) and Tyler, The Creator ( Flower Boy). Carpenters guitarist Tony Peluso plays the part of the radio DJ escorting you through the oldies, with Richard and Karen’s cousin Mark in a cameo as a listener who calls into the station. The entire second half of the brother/sister duo’s fifth album was taken up by the single “Yesterday Once More” and an interlinked medley of hit songs from 1961-64, including classics by the Beach Boys, Bobby Vee, and the Chiffons.
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This may have been the first really popular work of ‘60s nostalgia. The soundtrack album, then, becomes essentially a half hour of listening to K-Billy, complete with extra Steven Wright interludes, as he dryly introduces AM gold like “Hooked On A Feeling” and “Stuck in the Middle with You.” Quentin Tarantino’s debut unfolds over the course of a weekend, with the fictitious radio station K-Billy’s “Super Sounds of the Seventies Weekend” as a sonic backdrop and infamously deadpan comedian Steven Wright playing DJ.
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Various Artists – Reservoir Dogs: Original Motion Picture Soundtrack (1992)